"take your sword, run me through" jesus christ, edward. just ask him to fuck you. you're so annoying god bless.
@kay-lhann
Kay LhannKay, 33, she/her, lurker - here to follow assorted fandom stuff
Kay, 33, she/her, lurker - here to follow assorted fandom stuff
"take your sword, run me through" jesus christ, edward. just ask him to fuck you. you're so annoying god bless.
james flint + fatm lyrics
I feel like there are probably too many people just scrolling past this so letâs go through everything thatâs going on here.Â
1. With Rogerâs voice actor standing off camera, Bob Hoskins acts into empty air and frantically sawing at his handcuff, continually looking up and down at different visual marks of various depths. Look at the slow pan up of his eyes in gif 4, and then the quick shift to his side. Think about how, on set, he was looking at nothing.Â
2. Starting in gif 2, The box must be made to stop shaking, either by concealed crew member, mechanism, or Hoskins own dextrousness, as he is doing all of the things mentioned in point 1.Â
3. In all gifs, Rogerâs handcuff has to be made to move appropriately through a hidden mechanism. (If you watch the 4th gif closely you can see the split second where it is replaced by an animated facsimile of the actual handcuff, but just for barely a second.)
4. The crew voluntarily (we know this because it is now a common internal phrase at Disney for putting in extra work for small but significant reward) decided to make Roger bump the lamp and give the entire scene a constantly moving light source that had to be matched between the on set footage and Roger. This was for two reasons, A) Robert Zemeckis thought it would be funnier, and B) one of the key techniques the crew employed to make the audience instinctually accept that Toons coexisted with the live action environment was constant interaction with it. This is why, other than comedy, Roger is so dang clumsy. Instead of isolating Toons from real objects to make it easier for themselves, the production went out of its way to make Toons interact more with the live action set than even real actors necessarily would, in order to subtly, constantly remind the audience that they have real palpable presence. You can watch the whole scene here, just to see how few shots there are of Roger where he doesnât interact with a real object.Â
The crew and animators did all of this with hand drawn cell animation without computerized special effects. 1988, we were still five years out from Jurassic Park, the first movie to make the leap from fully physical creature effects to seamlessly integrating realistic computer generated images with live action footage. Rogerâs shadows werenât done with CGI. Hoskinâs sightlines were not digitally altered. Wires controlling the handcuff were not removed in post.Â
Who fucking Framed Roger fucking Rabbit, folks. The greatest trick is when people donât realize youâre tricking them at all.Â
This movie will be studied and analyzed and revered and worshipped for generations because, not only of the ground breaking techniques they used to make the magic happen but, for those of us that grew up with Bugs Bunny and Tom and Jerry, for 2 hours we were able to believe that they all really existed.
This is one if the LAST great movies that was ever made.
Letâs also not forget that writing. âOnly when it was funnyâ isnât just hilarious, itâs great comedy theory. It lampshades the joke, but also serves to remind the viewer that Toons have a separate set of physical laws they adhere to, mostly revolving around comedic value. Roger cannot remove his hand from the cuffs⌠until itâd get a laugh from an audience.
Everything about this movie, EVERYTHING about it, is so finely crafted. I could wax lyrical about it for days.
The thing about car-dependency is that⌠it sucks for people without a car. Big news, right. But, itâs not like that incentive curve is something we can just ignore. When our desire or ability to leave our house at all is conditional on being in a car, that affects all of our behaviour on every level.
Kids are the prototypical âperson without a carâ, and in a car-dependent area, they become dependent on their parents. In a normal, walkable city or suburb, children walk on their own to school, they cycle, they take the bus. Instead of needing to get parental approval - and enough enthusiasm to dedicate the time - to be shuttled around to any given activity, children walk to the park, or to a friendâs house. Even in rural areas, with the infrastructure, children will cycle to school. In a car-dependent suburb, a child is trapped in a single-family McMansion on the edge of town, forced to beg their parents to be able to go anywhere, always under supervision - is it any wonder theyâd rather stay inside?
Even in a city, if itâs car-dependent, this is still an issue. When the roads are 100-decibel, 6-lane monstrosities, with cyclists expected to intermingle with traffic, and the busses stuck in the exact same jam, kids arenât going to be able to get anywhere, assuming their parents even let them cross the street. This isnât just about proximity, itâs fundamentally related to safety. Car-dependent places are a lot more dangerous to be in, on account of all the cars, so parents feel itâs safer for their kid to be in one of those cars. To boot, when everyoneâs in a car, there are less people around, less people who can notice someone in trouble, less people who can help. When places are built with the assumption that everyone will have a car, they become places for cars, which humans can stupidly venture into.
This doesnât just apply to children. We are all, at some point or another, a âperson without a carâ - in fact, weâre a âperson without a carâ most of the time, until we get into one. A lot of people would prefer to remain that way; driving a car is stressful, it takes a lot of effort and concentration, and not everyone likes it at 6AM. But, when your environment is built with the assumption youâre inside a soundproof, crash-proof metal box, that becomes a requirement. The second youâre outside of those conditions, scurrying across deafening, hot tarmac, and dodging heavy-duty pickup trucks (carrying solely one guy and his starbucks order), of course youâd decide that not being in a car sucks. But, the thing is, itâs designing for cars that made it suck, even for the car-drivers.
A place designed for cars, a place that people cannot walk, or cycle, or take public transit through, is a place full of cars - you are not stuck in traffic, you are traffic. Studies have shown that the average speed of car traffic, over sufficient time, is completely unrelated to the thoroughfare of roads. Eventually, because of induced demand, the new seven-lane arterial road will have exactly the same congestion as the two-lane it replaced. The one factor that sharply determines how slow road traffic gets is, listen to this, the speed of non-car travel. It is solely when alternatives become faster that people stop driving and free up traffic. Shutting down main street, only allowing buses through, would drastically increase the speed of the rest of the road network - because each of those buses is 40 cars not in traffic. If you like driving, you should want as many people as possible who donât want to drive to stop doing it - and whoever you are, you should want to be able to travel without depending on cars.
When I was in the biggest depressive slump of my life, and I could barely get out of bed, I still went shopping for food nearly every day, and even traveled to visit my partner. The supermarket was 10 meters out the door of my apartment, and I could walk five minutes to either train station if I had to. It was peaceful and quiet outside. My disabled mother doesnât like living in cities, but she loves public transit, and will always take a train ride over a long, tiring car journey - and when every store doesnât need a parking lot twice as big as itself, whatever walking she does have to do is over a much shorter distance. When Iâve had to call an ambulance in a âcar-hostileâ place, it has arrived inconceivably faster, on those clear roads, than when sitting in the traffic of the highway-lined carpark that makes up so many cities.
Car dependency sucks for everyone, including car drivers, but it sucks the worst for people already suffering. It strips you of independence, and forces you into a box you might not fit in - and I havenât even touched on pollution. Car-dependency makes cities and suburbs into dangerous, stressful places, devoid of everyone except the most desperate. The only people it benefits are, really, the CEOs of car companies.
Forgot I had some kale left for the birds and it was wilty and sad. I cut all the stems down and stuck them in a pot of water like they were flowers, covered them with their bag. Now they're so robust I feel like I'm not going to be able to un-wedge them from the pot. Sigh.
Wait do people not do this? You can do this with any green, they're just plants, if you give them the ability to suck up water, they will. Hell, if you buy kale and it's got enough stem you can just straight up cause it to grow roots again and grow a whole plant. There's a sweet potato climbing the wall of my kitchen because I knocked a sprout off a potato and popped it into some dirt. The garlic sprouted so I put it in a pot to keep going. Plants are fucking wild, they'll grow anywhere, they've never acknowledged a rule in their lives, they're just waiting for us to die so they can eat us and inherit the earth.
âHis gentleness was uncompromising; because he would not compete for dominance, he was indomitable.â
- The Dispossessed, Ursula K Le Guin
If any of yâall didnât know, thereâs a free online library, aka
and I found like, twelve ebooks Iâve been wanting to read on there, and blasted through like three of them during the course of a boring-ass shift.
Guy there are books on magic on there.
Thereâs books on EVERYTHING there!
Wouldnât this be bad for authors though? or is this like a normal library where they get /some/ money?
Itâs like a normal library. Libraries can upload ebooks there and let people check them out through openlibrary if you have an openlibrary account, or it can point you to nearby libraries that have physical copies of the book for you to go and check out. If you check out books via openlibrary it counts towards the count of books checked out from the library that uploaded the ebook, and they can use it in their reporting and funding and stuff.
Thereâs like 150 libraries partnered with openlibrary so far.
They also have copies that you can check out if you are print-disabled.
You can also âsponsor a bookâ, which means you pay the cost of the ebook you want openlibrary to acquire, and then they can add it to their collection and let people check it out.
https://openlibrary.org/authors/OL26576A/Tamora_Pierce
I sure did!
And click on a title even if it says âno ebook availableâ and scroll down, âcause sometimes that just means âall of the copies of ebooks are checked out right now but you can get on the waitlist when itâs back inâ
This is part of the Internet Archive! Iâve posted about this before. Please go, itâs amazing.Â
Thesis: NBC!Hannibal Lecter is not a vampire, but he is absolutely a dracula.
Does âa draculaâ just mean âa rich prick who kills people, but in a refined, highbrow wayâ? Because that certainly fits.
Essential qualities of a dracula:
Hermits as...
People at family reunions! I was possessed to make this list last night and what the hell, might as well share it. It looks like a really long âtag yourselfâ meme. Also congrats to Ren on his highly specific title, love your face.
Grian: Older cousin who leads all the younger cousins in Crimes.
Doc: Uncle who somehow hasnât been arrested.
Zedaph: Older cousin who makes nitroglycerin cookies to blow up in the yard.
Cub: Older cousin who hides robots under your bed to scare you.
Ren: Auntâs boyfriend of five-plus years in charge of the grill.
Etho: You donât know how youâre related but he always shows up with snacks.
Scar: Younger cousin who gets locked in the barn on accident.
Xisuma: College-age uncle who is Exhausted.
Bdubs: Uncle who falls asleep next to the music.
Xb: Younger cousin who refuses to leave the pool.
Gem: Younger cousin who loves picking fresh ingredients from the garden.
Pearl: Cousin whoâs your age and took over the treehouse.
Beef: Uncle with the best hugs and the wagon!
Impulse: Uncle who will throw you in the pool if you want.
Tango: Uncle who will throw you in the pool if you donât want.
Iskall: Second-cousin playing lacross.
Mumbo: Younger cousin who ends up on the roof (Grianâs fault).
False: The Oldest Cousin. Grant her patience.
Stress: Aunt who arranges everyone for food.
TFC: Grandpa who plays practical jokes and cackles.
Jevin: Second-cousin who will arm-wrestle you.
Joe: Uncle with the guitar.
Cleo: Aunt who tells scary stories before bedtime.
Hypno: Highschool-age cousin whoâs cooler than you.
Wels: Second-cousin with the sword.
Keralis: Uncle who should not be telling that story in front of children.
BONUS:
Hels: Second-cousin who steals the aux cord.
EX: College-age uncle who definitely didnât steal his motorcycle, nope.
Friendly reminder (â°ËâĄËâ°)
i need y'all to steal and repost my anti-lawn memes to as many pinterest boards and facebook pages as possible
ÂŤYou? Who are you that I ought to pay you any mind?Âť ~ XXX. đ´ââ ď¸~
Crow skiing down a roof with a small lid or somethingâŚ.
Omg! This is the coolest thing!
Crowboarding
I can't tell you how much I dread the outcome of the Hungarian elections
Idk I might as well just go sleep and pretend tomorrow nothing happened and try living in ignorant bliss until someone tells me the results
flint friday moodboard + bonus anne
when your art programâs closing message hits you straight in the heart and makes you stop and contemplate the state of it all
because of the huge response to this post, I decided to make a version of the art that includes the text
(Iâve also uploaded this version of the design to INPRNT, Society6, and Redbubble)
Melanie Cavill being badass at rocking both in 3x09 (and making my sexuality act up in the process)