First Shingeki no Kyojin/Attack on Titan Season 3 Part 2 PV

    WIT Studio has released the first SnK Season 3 Part 2 trailer!

    The new season is set to premiere in April 2019 (Spring 2019 season) on NHK.

    Update: The above video was removed (Likely due to a premature release), but here is an unofficial mirror below for temporary viewing. The official video will be returned to the top once WIT uploads it again.

    News: Livestream/Live Translation ofJonetsu Tairiku Documentary featuring Isayama Hajime
    [UPDATE: Live coverage/translation completed]
    [UPDATE #2: Full Japanese Raw of documentary added
    ]

    As previously reported, MBS’s famous television program “Jonetsu Tairiku” will broadcast a feature on 23:00 November 18th, 2018 JST (9:00am November 18th EST/or in about 30 minutes from this post) starring Isayama Hajime, which incorporates interviews and scenes of him setting up the last chapter of SnK. Fan IrLOL has kindly shared a streaming link that can be seen above. 

    Update: Upload of the full Japanese documentary (Courtesy of IrLOL) has been added above!

    Related News: Interviews || Isayama Hajime || Translations: Interviews ||Videos: TV Programs
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    Livestream translation/summary/screencaps behind the “Keep Reading!”

    Keep reading

    News: Livestream/Live Translation ofJonetsu Tairiku Documentary featuring Isayama Hajime
    [UPDATE: Live coverage/translation completed]
    [UPDATE #2: Full Japanese Raw of documentary added
    ]

    As previously reported, MBS’s famous television program “Jonetsu Tairiku” will broadcast a feature on 23:00 November 18th, 2018 JST (9:00am November 18th EST/or in about 30 minutes from this post) starring Isayama Hajime, which incorporates interviews and scenes of him setting up the last chapter of SnK. Fan IrLOL has kindly shared a streaming link that can be seen above. 

    Update: Upload of the full Japanese documentary (Courtesy of IrLOL) has been added above!

    Related News: Interviews || Isayama Hajime || Translations: Interviews ||Videos: TV Programs
    Archival News
    : Interviews || Isayama Hajime

    Livestream translation/summary/screencaps behind the “Keep Reading!”

    Keep reading

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    News: The Next Episode of Documentary Program Jonetsu Tairiku will feature Isayama Hajime

    MBS’s famous television program “Jonetsu Tairiku”will broadcast a feature on 23:00 November 18th, 2018 JST starring Isayama Hajime, which incorporates interviews and scenes of him setting up the last chapter of Snk!

    The preview clip features scenes fromhis fan signing/Q&A session in Oyama as well as his recent drawing of Levi in his work studio. The voice-over says “The series called Snk is probably ending… Is this for real?!” 

    On the MBS program webpage, they summarize the contents of this episode as “Shingeki no Kyojin is finally approaching its ending. (But Isayama says) ‘I still have no idea why my work sells so well.’ What did this big hit mangaka draw at the end of his story?!”

    Kawakubo made a tweet saying “I remember Isayama-san has turned down the offer (from Jonetsu Tairiku) about three times. But this time he accepted it with the idea “maybe this can also help promote Season 3″ in mind.”

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    steampunktendencies

    A remarkable Jacobean re-emergence after 200 years of yellowing varnish
    Courtesy Philip Mould

    beyoursledgehammer

    PAINT RESTORATION OF MESMERIZING

    eliciaforever

    I saw this on Twitter. He’s using acetone, but a cellulose ether has been added to make it into a gel (probably Klucel—this entire gel mixture is sometimes just called Klucel by restorers, but Klucel is specifically the stuff that makes the gel). 

    Normally, acetone is too volatile for restoration, but when it’s a gel, it becomes very stable and a) stays on top of the porous surface of the painting, and b) won’t evaporate. So it can eat up the varnish.

    It looks scary, but acetone has no effect on oils, and jelly acetone is even less interactive with the surface of the paint or canvas.

    soggy-bunny

    Will someone PLEASE clean the mona lisa

    dracofidus

    For those who are wondering, they cleaned a copy of the Mona Lisa made by one of Da Vinchi’s students, and here’s a side by side comparison:

    CLEAN THE FUCKING MONA LISA.

    eleanorputyourbootsbackon

    A couple problems with cleaning the Mona Lisa:

    The Mona Lisa is a glazed painting.

    A Direct Painting is one in which the artist mixes a large amount of paint of the correct value and shade the first time, and applies it to the painting. A Glazed Painting is a painting in which an underpainting is painted, generally in shades of gray or brown, and a allowed to dry, before layers of very thin glaze -a mixture of a tiny bit of pigment and a lot of oil - is applied to the surface.  Some artists, such as Leonardo, choose to work this way because it provides an incredible sense of light and illumination (look at how the real Mona Lisa seems to glow).

    The Mona Lisa is an incredible work of glazed painting, but that makes it fragile, so fragile that many conservators don’t want to work on it because its extremely difficult and a conservation effort go wrong for many many reasons. One of the reasons it could go wrong is that the glazes and the varnish layers are actually a very similar chemical composition, and a conservator could accidentally strip off layers of glaze while removing the varnish. 

    In fact, in 1809 during its first restoration when they stripped off the varnish, they also stripped off some of the top paint layers, which has caused the painting to look more washed out than Leonardo painted it. 

    The Mona Lisa also has a frankly ridiculous amount of glaze layers on it, as Leonardo considered it incomplete up until he died, He actually took it with him when he left Italy (fleeing charges of homosexuality), meaning it never even got to the family who had commissioned it, and instead constantly altered it, trying to get it just a touch more perfect every time. That makes it really fragile, with countless layers of very thin paint, many of which have cracked, warped, flaked, or discolored. It’s not just the top layer, its layers and layers of glazing throughout the painting that have slowly discolored or been damaged over time.

    Speaking of damage, look at the cracking. That’s called craquelure; it happens with many painting’s (even ones that aren’t painted with this technique) because the paint shrinks as it dries, or the surface it’s painted on warps.  Notice that the other painting has very little of it, even though it’s almost the same age.

    The reason the Mona Lisa has so much craquelure is because Leonardo was highly experimental, almost to the point of it being his biggest flaw. There were established painting techniques, and then there were Leonardos painting techniques.  The established painting techniques were created in order to insure longevity and quality, but Leonardo didn’t stick to any of them. This has made his work a ticking time bomb of deterioration. 

    Don’t believe me, check it out:

    This is how most people think The Last Supper looks

    But this is actually a copy done by Andrea Solari in 1520.

    The actual Last Supper looks like this:

    The Last Supper has been painstakingly and teadiously restored, with conservators sometimes working on sections as small as 4 cm a day. To get to it you’ve got to walk through a series of airlocks (AIRLOCKS!?!?!) and they only allow 15 people at a time because the moisture from your breath and your skin particles will damage it. Despite all of the precautions and restoration, it still looks like that.

    This is because Leonardo painted the last supper using highly experimental methods. He didn’t use the traditional wet-into-wet method that fresco painters used, and insead painted onto the dry plaster on the wall, meaning the paint did not chemically adhere.  Before he even died the painting had already begun to flake. It’s a miracle it’s still there at all.

    They’ve done what restoration they can on The Last Supper because the painting will absolutely disappear if they don’t. The Mona Lisa, which is delicate, but much more stable, doesn’t need the same kind of attention. And, like many of his works, is just too delicate to touch, and the risk of doing irreparable damage to it is far too high. The Mona Lisa is insured for something like 800 million dollars, and that’s a lot of money to be ruined by one wrong brush stroke. (fun fact: the most expensive painting ever sold was also a Leonardo, the Salvator Mundi, and it went for 450 million dollars.)

    Furthermore, there are probably only 20 or so authenticated Leonardo paintings in the whole world. If you look through the list, most of them aren’t even fully done by him, are disputed, or aren’t even finished.  It’s simply too difficult and too risky to restore the Mona Lisa, one of Leonardo’s only finished and mostly intact works, when there’s hardly any more of his paintings to fall back on.

    Now the painting you see in the video above is 200 years old, not 600 years old, and I assure you, the conservators decided the risk to restore it was minimal (after extensive research, paint testing, x-raying, gamma radiation, etc.) and that the work they were doing was worth the risk based on the painting’s value.

    Conservators make the decision all the time about how much they can do for a painting, because really, they have the ability to completely strip a painting of all varnish and glazes and just repaint the whole thing (which happens to a lot of badly damaged paintings, especially when there’s no way to save them - one of the very small museums in my area recently deaccessioned a Monet because it was barely original, and no one wants to look at a Monet that’s only 20% Monet’s work) - but doing that to the Mona Lisa, removing the artist’s hand from the most famous piece of artwork in history? Hell No.

    (also, I’m not a conservator but I’ll be applying to a conservation grad program sometime next year, so sorry if any of my info is at all inaccurate) 

    tabby-dragon

    I found this really interesting, thanks for sharing.

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    Isayama Hajime Draws Special Illustration for Former Nogizaka46 Member Ikoma Rina

    On Japanese network Nippon TV’s morning program ZIP!, it was revealed that Isayama Hajime drew a special illustration for Ikoma Rina, former member of the idol group Nogizaka46 who recently “graduated” from the group.

    The original illustration shows her in Titan form as Levi slices her nape, with subtitles saying “Levi is banishing/annihilating me!”

    Ikoma Rina has previously expressed her love for SnK many times, even appearing on TV programs as early as 2013 (Such as the below video) to talk about the series.

    Related News: Isayama Hajime || Photos: Isayama Sketches || Videos: TV Programs
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    NewJapanese Television Special on Isayama Hajime

    NHK’s television program “Kikitai” recently broadcast a feature on March 3rd, 2018 starring Isayama Hajime, which incorporated scenes from his recent fan signing/Q&A session in Oyama as well as a sit-down interview!

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