fred sandback study via his archives
Anselm KieferÂ
German, b. 1945
DIE HIMMELSPLASTE, 2002
Oil, emulsion, acrylic and lead on canvas 192 x 332 x 25 cm. | 75 ½ x 130 ¾ x 10 in.
The small Trinity (2016) sculptures are fractional manifestations of forces well beyond comprehension. Each is formed from an actual, measured explosion, and is therefore not an image of an explosion, but the terrible thing itself. This is true of all the works presented in the exhibition. Whether using a simple firecracker or evoking a nuclear blast, the processes I used allowed for the explosions to take form and be captured, without manipulation. To consider the ramifications of these forms today is to see, perhaps, how precarious our existence continues to be.
miniature raft model | Abigail Doan studio [ Â 2020 ]Â
Josh Kline “Unemployment†at 47 Canal, New York, 2016
🌊/â˜ï¸ Nancy Koenigsberg
Antoine Donzeaud
Tomás Saraceno
Cressida Campbell (Australian, b. 1960), Ginko, 2016. Pencil on plywood, 22 x 18 in.
Figurative Sculptures Made of Shattered Glass by Daniel Arsham
Christina Schou Christensen
Shaping Fluid
Louise Bourgeois
Michaela Zimmer
Magdalena Abakanowicz - Portret anonimowy, 2001
Paper pulp, metal rack, resin
Berlinde de Bruyckere - Innocence Can be Hell series «Jelle Luipaard», 2005
Wax, epoxy, wood, metal G
Karen Margolis “Disassociationsâ€, 2010. Three Layers of Soldered Abaca aper. 30 x 22 inches.
Nairy Baghramian at Serpentine Gallery
2010