Vacuum-Packed Soo Joo Park at Iris van Herpen FW Paris Fashion Week 2014
“Here is my hand, he said. But that was long ago. Here is my hand that will not harm you.”
— Louise Gluck
Gavin Turk, Kerze II, 2021.
Oil on canvas, 318.8 × 243.3 cm.
GERTRUDE KÄSEBIER, THE MANGER (IDEAL MOTHERHOOD), 1899
“It was less like seeing than like being for the first time seen, knocked breathless by a powerful glance…I had been my whole life a bell, and never knew it until at that moment I was lifted and struck.”
— Annie Dillard
Isabel Quintanilla (Spanish, 1938-2017), Clavel [Carnation], 1974. Oil on panel, 42 x 38 cm.
Irving Ramsey Wiles (1861 – 1948)- Memories, c1890-91
Gerhard Richter - Eis (1981)
Maria Toumazou
In search of Marina Avraam (“Fetus”), 2021, Nickel coated brass, agate, 21 x 16 x 4 cm
“There might not be a measure of happiness left in a life, but there could be beauty and grace and endless love.”
— Peter Heller, Celine
Laure Albin-Guillot - Le Marteau en Fleurs (Hammer in Bloom) 1940s
Steamfitter, Lewis Hine, 1910s, Metropolitan Museum of Art: Photography
Gift of Clarence McK. Lewis, 1954
Size: Image: 34.5 × 24.7 cm (13 9/16 × 9 ¾ in.) Sheet: 35.4 × 27.9 cm (13 15/16 × 11 in.)
Medium: Gelatin silver print
National Museum of Qatar, architecture by Jean Nouvel.
“…to be expressing yourself in too baroque, romantic a way might be to be imposing a lot more content on the world than is necessary. It’s not necessary for the world to have that many prima donnas screeching around and sort of continuing the abstract expressionist temperament. So it’s curious because, who knows, the very best minimal artists may have been seen at all.”
— Walter De Maria, Oral history interview with Walter De Maria, with Paul Cummings, October 4, 1972 (via Archives of American Art Oral History Program, Smithsonian)
Fratelli Alinari, Palazzo Vecchio e Duomo, Firenze, 1889.
