It’s my party, my body, my business
It’s my town and my ground and my hit-list
It’s my world and you’re just living in it 

smileyzs

This is what the fae do inside mushroom circles when the moon is at its peak.

psychedelicships

boys being boys

Sexuality Witches Art Prints by��evocaitart

x / x
x / x
x / x
x / x
x / x

Gender identity witches here!

COCO (2017) dir. Lee Unkrich, Adrian Molina

dianawonders

#same energy

snarkymaddness

Okay can we talk about the gun? Cause I don't remember a gun.

“I wanted to put down roots. He wanted to play for the world. We each made a sacrifice to get what we wanted. Now you must make a choice.”

Coco (2017) dir. Lee Unkrich

LILO & STITCH
2002 | dir. Dean DeBlois, Chris Sanders

scenery in THE ROAD TO EL DORADO
2000 | dir. Bibo Bergeron, Don Paul

trans-mom

The idea an alt right mob could have murdered Mike Pence is fucking me up

cryptid-sighting

I think we have to accept the fact that the President tried to have his Vice President murdered 

2x02 → 10x11

Shameless - 11x04 |  “NIMBY”

The way Mickey (1) notices Ian isn’t answering him and is overeating in his pajamas when the day has begun, (2) picks up the whiskey bottle because Ian is very much not a morning/day drinker, (3) restructures his “job offer” to weasel past Ian’s pride, (4) very visibly flaunts the gun in front of Ian so that he’ll get fired up over keeping Mickey out of jail, and (5) uses reverse psychology to get Ian to work with him was so wonderful. He systematically galvanized Ian into action so that he wouldn’t wallow in what he felt was utter defeat a few days ago.

The writers have done so much justice here. Mickey knows Ian: he knows that doing something for him will be hard because Ian does for others and refuses to feel pitied or as though people think he’s broken. What’s the best way to get him working and feeling empowered the way he always wanted instead of working that dead-end, soul-crushing minimum-wage job he thinks he’s trapped into? Make it about Mickey. Make it about helping him, about correcting what he perceives to be Mickey’s mistakes, about keeping him out of prison—make it about being a good husband and protecting Mickey, and Ian is putty in his hands. Stubborn putty, but putty nonetheless.

thank you, officer gallagher��